by Vicki Meade
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- Know your audience. Who is your reader? As you plan and write,
picture a person who represents the audience your piece aims to reach.
This helps you keep in mind the audience’s interests, knowledge, and
limitations. - Determine your purpose. Why are you writing the piece? What
do you hope to accomplish? What main message or impression do you
want your reader to carry away? Figuring this out helps you create
a clear “main idea” and select the right tone and approach. Common
purposes are to inform, entertain, instruct, motivate readers to action,
or persuade. - Narrow your topic. Subjects like “school” or “love” or “computers”
are too broad. Pick an aspect that is well-defined and focused, such
as how Google has changed the way college students do their schoolwork,
the trouble with finding love on the Internet, or ways to protect your
PC from viruses. - Start in an interesting way. Even if your introduction is
only one or two sentences, make sure it catches the reader’s attention
with precise language and an engaging style. - Get to the point quickly. By the first or second paragraph,
what the piece is about should be clear. Warm-up material that goes
on too long irritates readers and strains their interest. After you
write your introduction, go back and edit it down. - Have your facts in hand. Make sure that facts important to
your piece are easily accessible (e.g., written on note cards or flagged
in reference books) so you can find and insert them without wasting
time or losing your train of thought. - Involve your readers. Present experiences to which others
can relate. Tell stories or give examples that make your points real
and tangible. Thrust readers onto the scene, tap into their emotions,
and give them a sense of being there. - Add color. “Color” means words and descriptions that help
readers see, feel, hear, and smell what is going on. Color means vivid,
lively language—words with texture that appeal to the senses and involve
more than the reader’s intellect. Our brains tend to convert words
and thoughts into pictures—so using images from the start is a powerful
way to communicate. - Write with conviction. The reader is looking to you for facts
and ideas. Do not present them in a wishy-washy way. Avoid qualifiers
such as probably, almost, rather, and somewhat, which make your writing
sound weak and hesitant. - Express, don‘t impress. Use a natural tone in your
writing: don’t try to sound like someone you’re not. That doesn’t
mean you should ignore the principles of good writing, including proper
grammar and sentence structure. But avoid creating unnecessary work
for the reader. For example, instead of your dentist asking, “Are you
experiencing any difficulty?” it’s clearer if he asks, “Does it hurt?”
Other examples:Wordy Phrase Condensed Phrase at this point in time now in the event that if in light of the fact that since be considered that is start off start on an annual basis yearly exhibits the ability to can for the purpose of for on the occasion of in the final analysis when finally it is obvious that obviously on an everyday basis routinely despite the fact that although in the proximity of near subsequent to later
- Know your audience. Who is your reader? As you plan and write,
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- Never use a long word when a short word will do. For example,
instead of “magnitude and configuration,” say “size and shape.” Sophisticated
ideas can often be conveyed as effectively with short words as with
long ones. Other examples:Long Short Ascertain Discover, find out Attempt Try Communicate Say, write, tell Facilitate Help, ease Implement Do Numerous Many Leverage Use, build on - Prune excess words. Unnecessary words are clutter. They slow
the reader and smother your message. Be ruthless in trimming extra
words that take the punch out of your writing. A sentence is wordy
if it can be tightened without losing meaning. - Be concrete and specific. Details win out over generalities
because they create vivid images and help the reader relate. Which
of the following gives you a clearer picture? “The convention was
well attended” or “Eight hundred people packed the Antiques Dealers
Convention, filling all the seats in the auditorium.” - Use strong verbs. Vague, imprecise verbs have less power than
strong verbs that convey an action clearly. Instead of saying “he walked
slowly into the room,” for example, you might say he strolled, ambled,
shuffled, or tiptoed. This way, you convey how he walked without
having to use an adjective or adverb. Compare “I ran quickly” with
“I sprinted.” Which has more impact? - Do not smother verbs. Sometimes excellent verbs are smothered
in sentences because they are presented as nouns. For example, instead
of “make a decision,” say “decide”; instead of “gave approval,” say
“approved.” - Avoid clichés. Clichés are trite, overused expressions, such
as “light as a feather” or “hit the nail on the head.” You bring more
impact to your writing when you say things in a fresh, original way.
Our brains tend to notice what’s new and tune out what we’ve seen or
heard before. Whenever you are tempted to use a cliché, ask yourself
if there is a more effective way to make your point. - If you must use jargon, define it. Jargon is “inside talk”
or specialized language used in certain professions or groups. Often,
jargon is puffed-up language designed more to impress people than to
inform them. The problem with jargon is that it excludes anyone who
is not part of the group. If the audience is made up entirely of insiders,
jargon has a purpose, but if your audience will be broader, define
the jargon or include a glossary. Example of jargon by a scientist:
“The biota exhibited a 100% mortality response.” Meaning: “The fish
died.” - Use the active voice, which is more direct, emphatic, and vigorous
than the passive voice. In the active voice, the subject of the sentence
does the action: “George Washington chopped down the cherry tree.”
In the passive voice, the subject receives the action: “The cherry
tree was chopped down by George Washington.” Besides being boring,
the passive voice can leave out important details. For example, if
you say “Colorful flowers were seen along the highway,” the reader
has no idea who saw the flowers. - Wrap up your piece crisply. Use a sentence or short concluding
paragraph that echoes the main idea without dully repeating it. An
effective conclusion brings the reader full circle from your opening
statement and ties up loose ends. Avoid endings that trail off or
introduce entirely new ideas that were not addressed in your piece. - Accept that good writing means rewriting. There’s no
way around it—once you’ve carefully developed a first draft, you must
revise, tighten, and polish more than once to have a top-notch piece.
- Never use a long word when a short word will do. For example,